GLIMMER MUSIC FESTIVAL/ ROUND 2: ORGANS WITHOUT A BODY
18 7月 2020
The show acts as a laboratory gathered by sets of sounds, distributed across different social platforms. Under the premise of physical prefabrication, real-time superposition of similar ‘digital polyphony‘ with reduced intervention is realized. To produce a final work through the delay generated on-line, the loss of transcoding, and overwriting. Explore what is lost and what is gained from the ‘real time’ ideality. With binary, hexadecimal and MIDI protocols etc as the fundamental law of signal conversion algorithms, what ‘Real Time’ is? Reality, does the ‘real’ have a reference substance? Is the mechanism of communication just plain distortion, reproduction, recombination? (Hao Long/07/2020）
