“Sound is fact, Music is fiction” is a series of sound system installations, which encourages the audience to be a part of the “sound energy flow”. Audiences can use the tools prepared by the artist, and by physical contacting the installation they can make sound directly. By using their body action, the audience can participate and might be recognized as the “possible spirit core of sound”
Those impromptu sound is fully applied to the occasionality of physical contact and is taking advantages of physical vibration. In this project, the artist tries to enrich a more open way of participation, and I want to reflect a more natural way that could be able to discuss the relationship between the Sound Ontology and the Auditory Culture.